THE WRATH OF VAJRA

The Wrath of Vajra is…different. Anti-Japanese films are nothing new from the Chinese, but this film is about a rogue WWII martial art master that began a cult of warriors that worshiped the God, Hades. His recruits would come from stolen children from around the world to become unstoppable warriors. After WWII, the master is imprisoned and his former students are left to carry out his vision. Escaped student, K-29 returns to fight to the death against his “brothers” in a series of tests that include a battles against a “giant-like” master and “demon-inspired” fighter, until the final show down with the disciple/leader, K-28. The kung fu and action sequences are good, but the story is too outside the octagon for me and has too many predictable plot choices to make it a great film. However, die-hard kung fu fans will appreciate the skill sets of Yu Xing and Sung-jun Yoo. Everyone else pales in comparison.

WORD COUNT: 159

Chuck’s Grade: B-

Adam’s Grade: N/A

I, Frankenstein is going to leave a scar

It’s alive! Well, it is happy to be breathing at this point because the newest interpretation of Mary Shelley’s classic character has many noticeable imperfections that are going to leave a scar. At times, the film is entertaining, but then it falls into a familiar sounding story line, “There has been a war…” and basically the Frankenstein monster is going to have to choose a side because his soulless body has the potential to change the face of the conflict. The film is on life support because the acting, directing and story telling falls short of the magic Kevin Grevioux’s created in the Underworld franchise. Aaron Eckhart’s stick wielding becomes repetitive and Yvonne Strahovski’s character is asked to make unrealistic leaps in a short amount of time in order to push the story forward. It just doesn’t work. However, this is NOT the worst Frankenstein film I have seen and maybe Grevioux bring it back to life in a sequel.

WORD COUNT 160:
Chuck’s Grade: C-

Adam’s Grade: N/A

LEE DANIEL’S THE BUTLER serves a up sentimental story

The most striking aspect of Lee Daniel’s The Butler is Forest Whitaker’s (Cecil Gaines) in the title role. It was a beautiful performance about a man, a father, and a husband attempting to provide for his family while attempting to come to turns with his role in life and his place in history. At the center of the film is a story about a father and a son at odds with one another about what actions should be taken to make a positive difference in the world. The film begins with the embarrassing truth of America’s most shameful behavior and follows Mr. Gaines as he becomes a butler at the White House, while his son, Louis grows up to become an activist fighting for African-Americans’ civil rights at most of the major points in history. It is a sentimental story that takes on too much at once, but Whitaker should not have been ignored by the Academy Awards.

WORD COUNT: 158

Chuck’s Grade: B

Adam’s Grade: N/A

PERCY JACKSON: SEA OF MONSTERS

Audiences do not have to be too familiar with Greek mythology to keep up with Percy Jackson: Sea of Monsters. The film follows the title character and his friends on another quest to save Olympus from destruction. Percy Jackson is a little older, but not wiser when it comes to dealing with teenage adversity. He feels doubt, loneliness, and does not know how to accept his unbeknownst cyclops brother. Director Thor Freudenthal does a good job taking the source material and highlighting the adolescent lessons of acceptance and confidence along with a very straight forward and fast moving plot. Everything about the film is positive, except the predictability of the story. It looks great and everyone does a good job, but like Zeus himself, audiences know what is going to happen long before the characters do. Percy Jackson’s is not immortal and neither is the second installment of the Rick Riordan’s books.

WORD COUNT: 152

Chuck’s Grade: B

Adma’s Grade: N/A

DRINKING BUDDIES is brewed with care

Sometimes love is all about timing, Kate (Olivia Wilde) and Luke (Jake Johnson) are co-workers at Chicago brewery. They are best friends that like to drink and flirt with one another, but struggle with romantic feelings because they are dating other people. Writer and director by Joe Swanberg gives a different, but realistic look at relationships that go on in the restaurant industry. Their connection resonated with me, even though I spend my time on the other side of the bar. The actors’ portrayal becomes dynamic when alcohol becomes part of the equation. It looses the characters up and blurs the emotional reactions in the process.  Actions speak louder than words, and this film’s best scenes are those moments of silence. Like most bar relationships, I am left with wishing there was more to it.  Drinking Buddies is brewed with care, but I did not want to order another round.

WORD COUNT: 150

Adam’s Grade: B

Chuck’s Grade: N/A

THOR: THE DARK WORLD hammers out an unsatisfactory ending

The sequel, Thor: The Dark World finds the title character tackling the all-to-common villain that wants to destroy the entire universe for some illogical reason that is never fully explained and never full thought out. However, it does not matter because Thor (Chris Hemsworth) and Jane (Natalie Portman) are re-united for a meet the parents episode while Loki (Tom Hiddleson) broods in prison for his past offenses. Dark Elf Malekith (Christopher Eccleston) is a formidable arch-rival for both Thor and Odin who will ultimately need Loki’s help to confront Malekith. The film is entertaining and I prefer it over the original because the characters are able to delve deeper into their relationships with one another. However, like most Marvel products the ending does not do the rest of the film justice because it hammers out an unsatisfactory ending that cannot control the balance between action and comedy.

WORD COUNT: 147
Chuck’s Grade: B-
Adam’s Grade: N/A

I am glad I spent time with HER

Spike Jonze’s latest film ‘Her’, set in the not-too-distant future, tells the story of writer Theodore Twombly (Joaquin Phoenix), who finds himself falling in love with Samantha, an advanced operating system (Scarlett Johansson), while he is dealing with a divorce from his wife Catherine (Rooney Mara). The film emits warmth and intelligence with its exceptional production design, cinematography, and performances. There is a charming quality to Jonze’s dialogue with both of the characters being tormented by loneliness. Her does not shy away from topical subject material, such as modern society’s dependence on technology. If it has not happened yet, it will in the near future, unless people are to compartmentalize and measure technologies contribution to a better life. Phoenix tops his performance in The Master with this grounded performance while Johansson, captivates our senses with her sultry voice. Her reminds audiences to appreciate the moments with our loved one. I am glad I spent time with Her.

WORD COUNT: 156

Adam’s Grade: A

Chuck’s Grade: N/A

THE HOBBIT: THE DESOLATION OF SMAUG does not live up to its title

Many people exclaim the second installment is much better than the first film, but I do not think that justifies a favorable review for The Hobbit: The Desolation of Smaug. I do not know whose greed is worse, the dwarves trying to steal the Arkenstone, Smaug and his liar of stolen goods, or Hollywood’s penchant for drawing out this modest size story into an unnecessary trilogy length of films. I am angry at Peter Jackson  and this franchise in general. The first film was boring and the second film accomplished absolutely nothing accept ticket sales for Peter Jackson and the addition of characters that do not belong and a storyline that do not exist. I’m serious. I am angry with this irresponsible greed.  However, at this point I feel obligated to see the third film because the first two films have not given me a satisfactory movie to enjoy. The Desolation of Smaug does not live up to its title.

WORD COUNT: 159

Chuck’s Grade: D

Adam’s Grade: B

HANSEL AND GRETEL: WITCH HUNTERS

Hansel and Gretel: Witch Hunters was a disappointing interpretation of the Grimm fairytale to say the least. The mixture of humor and horror could not match the coolness factor of Hansel (Jeremy Renner) and Gretel (Gemma Arterton) as witch hunter siblings hellbent on revenge. There were many great ideas in director/writer Tommy Wirkola’s script, but he could not maintain a consistent voice and look throughout the picture that could convince audiences to believe in his story. I could accept the exploding witches (to an extent) and kind-hearted trolls that seemed to be the only creature that could actually kill humans for some reason, but I could not swallow the anachronistic scenes of witches duking it out with Jeremy Renner, as well as the Van Helsing-like modern weapons used in the film. For me, the film was a complete letdown, but I am sure there will be  a sequel with a lesser known cast in the future.

WORD COUNT: 155
Chuck’s Grade: D-
Adam’s Grade: N/A

LOVELACE doesn’t go deep enough

The life of Linda Boreman is dramatized in the biographical film, Lovelace starring Amanda Seyfried in the title role.  Her performance along with Peter Sarsgaard as her abusive husband, Chuck Traynor and Sharon Stone as her mother are outstanding. At first, audiences are invited to witness the events that lead to Linda becoming an overnight sensation in America, but the film concludes with events that went on behind her 15 minutes of fame. The strategy works and forces audiences to realize the darkness that pollutes this industry built on sex, drugs, and abuse. However, the rest of the moving parts are mediocre because the film is unable to delve deep enough into any particular event. The film moves quickly, but since it plays the same story twice it seems like it stands still in time like a record skipping on a scratch.

WORD COUNT : 141

Chuck’s Grade: B-

Adam’s Grade: C